This latest contrived charade reminds me of when our state run national broadcaster, in kahoots with the Gardai; revealed some overt Masonic symbolism in a televised dance ritual during the Covid lockdown era, staged under a red pyramid
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Ritual Mockery in Broad Daylight: The Gardaí, Jerusalema, and the Masonic Stage
During the COVID era—a time of manufactured hysteria, medical authoritarianism, and mass psychological conditioning—RTE broadcast what appeared, to the untrained eye, to be a “wholesome morale boost”: members of the Gardaí dancing to
Jerusalema.
But beneath the saccharine surface lies the unmistakable stench of
ritual theater.
Observe the aerial footage. The Gardaí perform their choreographed routine not in a random setting, but atop a
floor of squares, reminding the audience of the ancient Masonic symbol of duality, the fusion of light and darkness, good and evil. This is not mere artistic staging. It is the
floor of initiation. The symbolic foundation of the Temple.
And then—
the lights. Watch carefully as overhead strobes illuminate what resolves into the shape of the
square and compass—the very emblem of Freemasonry.
Coincidence? Or coordinated revelation?
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This is
psychological warfare cloaked in pop culture. The Gardaí—symbols of state authority—are
ritualistically reduced to jesters, dancing like puppets on a ritual stage, while the nation is locked down, masked, and muzzled. The message is clear to the initiated:
Like they are now with Conor, the masses cheer, like Romans in the Colosseum, unaware they are not spectators, but subjects of a
ceremonial humiliation. It is
public initiation by consent—
through laughter, submission, and unknowing participation.
This is the same mechanism we saw with McGregor in the Lodge. The same symbolic lexicon. The same architecture of control. It is all one ritual—perpetual, mocking, esoteric.
And they count on you not noticing.