The Collapse of Woke Hollywood

PlunkettsGhost

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jpc

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Going into full woke broke mode.
 

Professor

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There's a glimpse of the future in that Vid where by new woke videos are to be re edited back to the old style with harder edgier pirated themes!! simply deep fake the desired actor/ess's faces into an existing crap Disley movie and re-dub.

Redubbed movies are great craic anyway but with today's tech one could have absolutely anything going on and the pirate producers will save millions in making them:geek:
 
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A Man Called Charolais

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They have to be laundering money. There's no way they could continue to take hundreds if millions in losses if that wasn't the explanation. The film industry has a Union of Soviet Writers vibe about it which would explain a lot about the political cover for the racket.
 

PlunkettsGhost

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jpc

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All the money.
Non of the talent
But completely woke.
This is the endgame of free money and woke mediocrity.
Risible shyte.
 

clarke-connolly

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The phrase “put a chick in it and make her gay” is now becoming a commonly used phrase to mock the wokeness of Hollywood.

Kathleen Kennedy is now trying to sue Paramount due to the shame and damage this Southpark episode is doing to her reputation.


I never realised that Women were so interested in other Women, Muffing with them ! ! !

Women = = Hard to Understand ! ! !
 

Tiger

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These film synopses read like Southpark parody.

This is the state of the Irish Film Board

http://www.iftn.ie/news/?act1=record&only=1&aid=73&rid=4295256&tpl=archnews&force=1

Kiki, The Head on Him and Never Kill a Femboy on the First Date are the three short films along with the Docu-Drama Pregnant with a Drag Queen that have won the Virgin Media Discovers 4 competition, in partnership with Screen Ireland.

The winning projects of the Virgin Media Discovers 4 competition are all currently at different stages of production. All the projects will premiere at Dublin International Film Festival in the new year and will air on Virgin Media Television and Virgin Media Player across Spring 2024.

Kiki is written and directed by Naomi Sheridan and produced by Lindsay Campbell. Four-year-old Adamma and her father, Jide, seek refuge in an asylum centre in Ireland. They are greeted by angry and potentially dangerous protestors, but things escalate further when Adamma ventures out into the neighbourhood alone in search of her missing cuddly toy, Kiki.

The Head on Him is a coming-of-age comedy about a young biracial boy who moves from Nigeria to Tallaght, Dublin in the 1990s. Desperate to fit in, he shaves off his afro. However, the afro keeps growing back, bigger and bigger and bigger. The short is written and directed by Seán Gallen and produced by Ciara Gillan and Kevin Napier.

Never Kill a Femboy on the First Date will be directed by Oonagh Kearney and produced by Aoibhín Murphy. Written by Lee Loi Chieng, the story is described as “a crossdresser's one-night stand with an exhibitionist that turns life-threatening when a group of voyeurs discover he's not a woman, forcing them to use their wit and charm to negotiate and survive.”

Pregnant with a Drag Queen
tells the story of how a queer kid in 1990s Dublin discovers their true identity and inner strength when they give birth to Veda, a vibrant drag queen icon. Through laughter and self-discovery, their inspirational journey shows how drag doesn’t change who you are, it reveals who you are. This docu-drama is directed by Colin Brady and produced by Steven Sheehy.
 
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A Man Called Charolais

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'After losing $106 million on Lightyear (2022) and another $152 million on Strange World (2022) — both of which featured prominent gay plotlines aimed at little kids — the Disney Grooming Syndicate roared into 2023, hoping for a much better year. But…

Thanks to Disney’s cratered reputation and string of terrible movies where good storytelling and relatable characters took a backseat to divisive politics, 2023 was an even bigger disaster.

...

My public school math shows that the Disney Grooming Syndicate lost $745.5 million with its theatrical releases this year.

My estimate is far from perfect, but it is reasonable.

Yes, Disney will make up some of these losses on what are known as ancillary markets: home video, TV sales, foreign TV sales, etc.

But let’s be real here… When you release three Marvel movies, an Indiana Jones movie, a Pixar movie, and a 100th-anniversary animated movie (Wish), you’re not supposed to lose $745.5 million. You’re supposed to net $745.5 million.

You only lose $745.5 million when you’ve lost the goodwill of your core audience (decent parents), and your movies stink because you put identity over storytelling and token characters over relatable characters.'

Nolte: Disney on Track to Lose Nearly $750 Million Across 13 Films in Historic Year of Box-Office Flops - Breitbart
 

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